Beats for every mood. Pick yours today.

Hear every one of them in full, no account needed. You pay, and the licence is yours within a minute.

Shop

Find yours among 203.

No account to set up and no cutting you off after thirty seconds. The preview plays with my voice tag; after the purchase you get the clean file. You see the price, you hear the whole thing, you pay by card, and a licence with your name on it is generated straight away.

Custom

A beat cut for your voice, not for somebody else's.

You have a sound in your head that no shop is selling. You tell me what you hear, drop in two references, and get a sketch before you reach for your wallet.

How we work together

From the first message to the finished files. At every stage you know what is happening and what comes next.

  1. 01Reply within 24 h

    Brief

    You fill in the form below. Style, tempo, references, deadline. I reply within a day.

  2. 02Before you pay

    The sketch

    You get a short sketch of the beat before you pay anything. If the direction is wrong, it costs you nothing.

  3. 032 rounds of revisions

    Production and revisions

    I grow the sketch into a full beat. Two rounds of revisions are included, so the details sit right under the vocal.

  4. 04Exclusive licence

    Files and licence

    WAV, MP3 and stems, plus an exclusive licence in your name. The beat is yours and nobody else gets it.

Spotify and Instagram

Listen and stay in the loop.

On Spotify you can hear tracks released on my beats. New beats, behind the scenes and videos land on Instagram first, and that is also where I reply fastest.

Brief

Tell me what you want to make.

One form for everything: a custom beat, a music video, reels or exclusive rights. I reply within a day, and if something is out of budget I say so at once instead of dragging the conversation out.

Message me on Instagram

The form goes straight to my inbox. Your details stay with me, and I set out the rules in the privacy policy.

Fill in your name and contact; I can ask about the rest.

I have your brief.

I reply within a day, usually sooner. If it is urgent, message me on Instagram, that is where I see things fastest.

What I do

One person instead of three numbers in your phone.

The producer blames the camera operator, the operator blames the editor, and you are into your third week of waiting. Here the beat, the shoot and the edit come out of one head, so there is nobody to pass the blame to.

A camera on a tripod in a dark hall, a shaft of cold light cutting through haze
01

Music video

You get an idea for the picture, not a camera on a tripod. Shooting, lighting, editing and colour. Priced after the brief, because a video on a rooftop and a video in a hall are two different numbers.

A phone mounted vertically on a gimbal, its screen glowing in violet haze
02

Reels and short form

Vertical clips for Instagram and TikTok. One session yields several cuts, so your profile has something to live on for a month rather than for one evening.

Keys of an instrument in streaks of cold light and dust
03

Beats and production

203 finished beats below, every one playable in full. If none of them hits what you have in your head, I make a new one around your voice and your tempo.

Videos

A track deserves a picture that does not smother it.

You know the feeling: a strong track and a video nobody comes back to. I do the shooting, lighting, editing and colour myself, and on some of these tracks I made the beat too, so I know where the silence goes and where the cut goes.

How it works

From first message to finished file.

1

You write the brief

One form further up the page. You say what you need and by when. You do not have to know the names of shots or genres, just drop in what you like.

2

You get an idea and a price

I reply within a day with a concrete idea, a date and a single figure. If something is out of budget, I say so at once instead of dragging the conversation out.

3

We shoot and I edit

The shoot on the agreed date, then editing and colour. The first cut comes to you for review, and revisions are included.

FAQ

The questions I get most often.

290 PLN for a licence with the WAV and MP3, 370 PLN if you also want stems, meaning the separate tracks for mixing. Exclusive rights start at 800 PLN and I price them per beat. Buy two beats and the third one is on me.

With a lease you buy the right to use the beat, but the beat stays in the shop and somebody else can take it too. With exclusive rights the beat leaves the shop and nobody new can buy it. A lease has no time limit and no territory limit, so you release everywhere and for good.

The track you already released stays yours for good. You do not take it down, you do not withdraw it, and you keep earning from it with no time limit. The only change is that from the day the exclusive is sold you cannot record a new song on that beat, and nobody new can buy it.

You come back to the site, enter your name and artist name, and the licence is generated at once with its own number. You save it as a PDF and download the files. A copy also goes to my inbox, so I have it if yours ever goes missing.

No, because you receive the files immediately after payment and you confirm at checkout that you want them right away. That is why you hear the whole beat before buying, from the first second to the last.

Yes, every licence covers it. You release on Spotify, YouTube and TikTok, play live and shoot a video for it. The only thing I ask for is a prod. DanyBeatZ credit on the track.

One limit: do not register the track with content identification systems, meaning YouTube Content ID, Meta Rights Manager, TuneCore Content ID or AdRev. Ordinary release and distribution are fine, but when you deliver through a distributor that option is often switched on by default, so it is worth unticking.

I do. You write a brief, you get a sketch before you pay anything, then I grow it into a full beat with two rounds of revisions. At the end you have the files and an exclusive licence in your name.

I do. Travel goes into the quote and I mention it in my first reply, so there are no surprises. For longer trips we usually combine shoots for several pieces into one day.

Some beats contain loops from legal libraries. You can earn from such a track and release it anywhere, but do not register it with a collecting society as one hundred percent your own composition. If you need a beat with no loops, say so when you order.

Free

Take one beat and hear how you sit on my sound.

You leave your email and get a full-quality beat to record a demo on. If it works on the track, you buy the licence and release. Once a month I send out new beats before they reach the shop.

No spam and no selling addresses on. The rules are in the privacy policy.

Enter a valid email and tick the consent box.

The beat is yours.

Download it below. A copy also went to the address you left.

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